Tears and Trombones


Review by George Johnston, Trombonist, San Diego Symphony

“Many of today’s successful musicians are products of families with some degree of wealth and education. They are provided with the best schools, the best private teaching and the best instruments. Tears and Trombones is about the coming of age of a young trombonist, Joey, from a lower class family. His struggle to pursue his passion against the wishes of his hard drinking, heavy-equipment-operating father provides the backdrop for a segment of the boy’s life that is insensitive and often cruel. It is truly a miracle that Joey attained any degree of proficiency on his instrument. And, while he endeavors to become the best, he encounters romance along the way. The reader is tantalized by the tender, intimate moments that provide a refreshing break from the oppression of his father. Joey’s character becomes more defined and his life becomes more complicated as he has to deal with the adult issues of reaching the “impossible dream” or settling for the “road most travelled.” This novel is a roller coaster of highs when the reader is sharing Joey’s successes, and lows when the father keeps snuffing the flame of his aspirations. Ms. Woody punctuates her tale with some very funny moments, most of which result in retaliation by the boy for a cruel act of his father.

This reviewer found Tears and Trombones to be very engaging. The struggles endured by her star character are made very accessible to the reader, and it is easy to get caught up in the life of this boy. The author weaves this tale in such a way that the reader becomes part of the story. The act of reading and digesting this wonderful tale makes the reader a part of young Joey’s family and one is always hungry to see what else life has in store for this valiant young man. This tale is a very highly recommended read and promises to be a best seller.”

Review by Robert Christopherson, textbook author, Geosystems

Tears and Trombones by Nanci Lee Woody is a remarkable first novel, covering almost four decades of a dedicated, troubled, focused, talented musician—drawing the reader to the last page for the full story. One is reminded of Mr. Holland’s Opus, only with real grit and wrinkles in the story’s broad scope. Joey Woodman’s life unfolds, scene by scene, moment by moment, along a rough path. The first-person storytelling from Joey’s perspective is powered by effective dialogue, which is a key strength of this book. As Joey’s life builds, we see his skills and flaws, and all. We see the pursuit of excellence to achieve world-class status as a musician, and the personal cost and sacrifice this demands. We seemingly hear the music acting as his lifesaver, raising him up in his difficult life; literally his escape route. We live through his mom supporting him emotionally, his dysfunctional father trying to stand in the way. As this book’s pages rush by, we learn from the inside details about music—classical, jazz, popular—and composers, and about the trombone instrument (models K2B and a Conn 88H, and more details). We see the nuance of playing a slide instrument in engaging specifics. We are carried through performances and auditions. Again the strength of this storytelling is in the writer’s use of her characters’ dialogue! You feel it when Joey says, “I moved right into the fourth movement and when I finished the sonata, lowered my horn, my head still full of the music, the room was silent. After a pause, one person clapped, then another until the room was filled with applause. ‘Bravo. Bravo.’ The audience rose to its feet. The applause wasn’t just for Corelli. It was for me!”

Published by the Sand Hill Review Press
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